Irish Flute Tunes

If you get any playback errors, please let me know (iflute@googlemail.com) and I'll fix them. Some of the older recordings seem to have gone a bit rusty. I know how they feel.

 

Hello. This site contains recordings I have made as a source of tunes for people who play the flute, or other instruments for that matter. They are often just versions of tunes as I remember them but, as my memory isn’t the best, in some cases I cheat and find the dots online. As often as not, the online versions and the dots inside my head aren't quite the same so there may be a sort of 'average' appearing.

I usually play the tunes once through slowly (ish) to make them easier to learn, then I have a bit of a run at them to give another view of them. I hope this approach is OK. If anyone has any comments, or tune suggestions, please get in touch (iflute@googlemail.com).

Thanks, Michael Clarkson (Belfast). 

 

 

 

  

 

In the good old days, there used to be a tune index on the left hand side but Podbean "upgraded" the layout a few years ago and this index was lost. You can now list tunes by type, but this relies a bit on my having categorised them all properly; maybe not all that reliable. The search function at the top of the screen works fine though.

 

 

 

 

 

 

 

 

 

 

 

 

Here's the first tune on a recording of the same name of Johnnie Maguire, the Co. Cavan, and then Belfast, whistle player, who was Seán Maguire's father.

 

He decribes it as "an old traditional reel I used to hear my father play". So it's Seán's granda's tune, or maybe he inherited it from the extreme olden days in Co. Cavan.

 

The ever excellent The Session site has details of the recording here, including links to tune info and arguments about John/Johnnie/Seán/McGuire/Maguire's name. Endless hours of fun to be had.

 

 

The transcription below comes from the Traditional Tune Archive.

 

 

Here's a nice tune from a nice county (you can probably work out which county from the sentence below).

 

It's named after the Fermanagh flute player on the right in the photo below (you can probably work out his name from the title above) and was popularised by Cathal McConnell, who is also in the photo (you can probably work out what side he's on from the side that's already been used up by the flute player whose name you hopefully worked out a minute ago).

 

 

 

More info here.

The way I'm playing this tune here is probabably about as reliable as the average Harlequin. Nice tune though.

 

More info here

 

And a more competent rendition here

 

 

I don't know anything about this tune apart from how it goes, or sort of how it goes. I do know some Jimmies and have met an O'Reilly or two, but that probably doesn't give me much to base a tune blurb on here. So there'll be no blurb. Enough to say that I like this tune because it never quite goes how I'd expect it to.

 

 

 

 

The session.org has some (occasionally strange) versions here.

 

Here's a reel composed by Charlie Lennon, who made up lots of great tunes. He had the ability to make a new tune sound like it had been there for years, thanks to his imagination combined with having heard thousands of traditional tunes thousands of times each over tens of years. Unlike Charlie Lennon, loads of people make up tunes all the time just relying on the imaginatioin bit. Leaving out the ex-perience factor rarely leads to anything useful. Thankfully this tune was made by someone who knew how. Sorry if the playing here lacks similar savvy. 

 

The "session.org" setting

 

(Here's a picture of a beartán of land. A spleotán would have been too big.)

Here's a tune written by the concertina player William Mullaly (1884 - ca.1955) from Mullingar.

I was reminded of it by a recording of the recently departed fantastic musician Charlie Harris. That recording, along with a recording of William Mullaly himself playing it in the extreme olden days, is available here: The Drunraney Lass on "The Session".

 

The tune reminds me of "The Lark on the Strand". I'm not sure whether that Lark's egg came before or after this particular Drunraney chicken.

 

 

 

 

 

Here's a tune I learned from a recording of the Chicago fiddle player Johnny McGreevy. The session.org call it "By Golly". I was  surrprised to see "By Golly" written on the "session" site without an exclamation mark. So surprised that I nearly said "OMG!!!!!!!!!!". 

 

 

There's more information about the tune and the Jimmy Neary (and it's played properly!) at https://connollymusiccollection.bc.edu/document/457.

 

 

 

 

 

 

I might have posted this tune under a different name in the days before AI, but here it is anyway, along with computer generated triplets in the picture below, to go with the flute generated ones in the recording. Sorry if the notation is a bit truncated and twisted. That's all my free Chatgpt account would give me. The rest of the notes are here: Wexford Lasses notation.

 

Here's a second post for this Olympic-length posting period. A sensible reel without much musical tautology. Rare enough in our times.

 

My new (cheap) phone can't seem to handle anything louder than a sigh so the recording is a bit distorted. No harm: I can hide my dodgy tone behind the buzzing. I've been keeping my flute and my mouth in a cupboard for over 9 years so rich resonances are rare in my reels. Or in anything else I do.

 

John Egan's Reel (thesession.org)

 

I was just reminded yesterday of the existence of this Irish Flute Tunes site by getting my annual subscription receipt from Podbean. So, I thought I might as well put a tune on it to get my money's worth. 

I played this one on a very reliable Rob Forbes flute which I got off eBay a little while ago. My wooden flutes are also reliable but my ability to find them is less so.

I'm in Belfast at the moment, on holiday from Luxembourg, so (another "so") I'm allowed to play the flute as it's not illegal here. I'll be back in Belfast FOREVER from 1st May. So ... I might go into work retirement and come out of flute retirement. So... À bientôt ...

 

 

The Crib of Perches (as "The Session" has it)

Here's another tune from O'Neill's Dance Music of Ireland. I hadn't noticed it before, despite its being there since 1907. I don't remember ever seeing a wren either. Maybe because they're so small.

 

Tune number 748 from O'Neill's Dance Music of Ireland - 1001 gems 

There are 1000 tunes in this book with better names but only some of them are better tunes.

 

 

 

O'Neill's Dance Music of Ireland tune number 129

 

I probably would have been better getting the cat to play it.

 

I play this tune by direct debit.

 

Here's another tune from Francis O'Neill's 'Dance Music of Ireland - 1001 Gems'.

My understanding of 'gem' in today's context is a tune without syncopation and notes keeping close company with other notes they don't get on with.

 

Here's tune number 652 in O'Neill's Dance Music of Ireland.

 

It's the best tune between tunes 651 and 653.

 

As requested, here's an attempt at a flute version of a steadfastly fiddle tune.

 

 

X: 1
T:Jackson's Reel (sort of flute-friendly'ish)
R: reel
M: 4/4
L: 1/8
K: Dmaj
|:F|D2FD EDFE| DEFD EAcE|GE ~E2 GABd| ceAc dBAF|
D2FD EDFE| DEFD EFGE| ABce dBAG| F/2G/2F EG FDD:|
|:g|fd d2 ~d3f| edef edcB|A2cA BAcB| ABcA Bcde|
fd d2 ~d3f| edef edcB|ABde faea|1fd d2 ~d3:|2fddc d/2d/2c dB||
A3A B2AG| FAAF G/2F/2E F/2E/2D| ~E3F GFEG| Agec dBAF|
D2FD EDFE| DEFD EG ~G2| ABce dBAG| FAEG FDAF||

 

Here's the uncut version: https://thesession.org/tunes/1665

 

 

Here's a tune high in vitamin C. Also called the 'Belfast March', named after a town low in every vitamin.

 

 https://thesession.org/tunes/5000

Here's a tune I was asked to post here. It's a great tune but I can't play polkas, so I never play them, so I can't play them, so I never play them, so ...

 

The associated polka dots are here: https://thesession.org/tunes/1560

 

Here's a tune which Tom Morrison recorded i 1928. London clogs are probably mainly fatbergs in the sewers these days.

 

Here it is played properly:

https://archive.org/details/TomMorrisonTheLondonClog

 

Here it is written out badly:

This reel was made in space for the flute; sorry this effort isn't as out of this world as the title would suggest.

 

 

Here's a tune written by Josie McDermott in honour of Peg McGrath who made one of the nicest flute noises I've ever heard.

 

A short tune to fill a spare minute. I don't know how much postmen/postwomen (or even postmodernists) whistle now under the burden of Amazon boxes.

 

Here's a tune I first heard from a recording of John McGuire - Seán's father. The guy in the photo was Jack Rowe - looks like he could blow a flute with the back of his neck. Some feat. Some neck.

 

 

Here's a reel which you can hear Denis Murphy playing at: Mount Collins Reel / Doon Reel. There are special wobbles in the second tune which, according to the info at archive.org, are due to a hole being 'punched slightly off-center'. I'd imagine that could cause a wobble or two right enough.

 

Here are some notes: https://thesession.org/tunes/4026

 

 

I've been living in a teeny weeny flat in Luxembourg for the last three weeks and have been afraid to play in case the people in the teeny weeny flats above and beside me objected. I finally got playing last night in a pub at a session with 4 flutes - just like home only the drink was a lot dearer. This tune was mentioned (not by me) but nobody knew it well enough to play it. I've given myself a crash course in playing the tune today in my teeny weeny apartment in this nice little country. I think the first half of the term 'crash course' might be the most relevant here. I'll blame that on my fear of annoying the residents near my little Luxembourgish lodging.

 

I think Tommy Peoples made this tune up. Best to find a recording of him playing it, or any other tune for that matter.

This jig is also known as 'Health to the Ladies'. It's a good tune for getting used to playing in A as it doesn't need any G sharps.

As for the identity of Sweet Biddy Daly: I think she was the alter ego of Sour Suzie Knightly.

https://thesession.org/tunes/327

Here's a reel composed by Josephne Keegan. I can't tell you much about the title though I know that a gate is like a door with the outside on its inside and outside; a Mullagh (or mullach) is a hilltop and so lots of hilly places are named after this feature:http://www.teanglann.ie/en/fgb/mullach.

 

Here are some dots: https://thesession.org/tunes/2243

Here's a reel which was included in O'Neill's Dance Music of Ireland in 1907 as 'An Bhó Mhaol / The Hornless Cow' but was recorded by Liam Walsh in 1933 as 'The One Horned Cow' 

https://archive.org/details/LiamWalshTheFairyReelTheOneHornedCowTheLimestoneRock.  The beast must have sprouted a bit in the intervening 26 years; unless 1930s Waterford had a population of bovine unicorns - possibly only visible to Uilleann Pipers.  Maybe it still does.

(There's a baby battering a table in the background of this recording - more in time than many percussionists). 

Here are the cow's dots.

https://thesession.org/tunes/2825

Here's a Lonesome Jig.  It only has 681 companions on this site so far - no wonder it feels a bit isolated.

Here's a tune I've managed to overlook during the years I've been putting tunes on this site.  It refers to the Blarney Stone the kissing of which is reputed to leave a great facility for fine talk on the lips which were in contact with said stone.  I was taken for my contact with the Blarney Stone when I was a child, though I think I was held the wrong way up and the incorrect bit of me made contact with the little rock of eloquence.

You can find the dots here:

https://thesession.org/tunes/5

I've just got my nice old flute back from a period in a flute hospital so felt inspired to post a tune on it before I break it again.

This tune appears to be the third Mama's Pet I've posted here so she'll maybe able to open a small zoo.  I'm not sure what species this pet is or even how many limbs it has, if any, or whether it has fur or just skin or scales.  The details I could find are here:

http://tunepal.org/tunepal/show_tune.php?tunepalid=1290-12.abc-1-Mama~s~Pet

Here's a tune popular among some fiddle players in Donegal.  I'm not sure whether it is unpopular among everyone else in that county but I'll maybe avoid playing it there just to be on the safe side.

There is a version of it here: http://thesession.org/tunes/11250 taken down from the fiddle playing of Vincent Campbell (presumably one of the Donegal fiddle players amongst whom this tune is popular).  I've also heard a recording of John Doherty playing it and I first learned it from another fiddle player, i.e. Paul O'Shaughnessy who has a keen awarness of the Donegal fiddle zeitgeist.

Just grabbing a rare moment in the house when not being entertained / attacked (it's a fine line) by children.  The first 2 minutes of that moment have been used up by playing this reel.  www.tunepal.org told me it is called the Walls of Limerick.  I have it on a recording of John McKenna on the flute with Michael Gaffney (I think) on the banjo.  The notes at http://tunepal.org/tunepal/show_tune.php?tunepalid=266-hnr2.abc-2-Walls~of~Limerick%2C~The look very like it.  I'm sure all will be revealed and explained when 'Imminent' becomes 'Recent' in a while ... http://www.johnmckenna.ie/irish-time/.

Here's a tune which John McKenna recorded.  To hear it played properly in digitised ex-shiny-shellac format you'll soon be able to buy the CD referred to here:

http://www.johnmckenna.ie/irish-time/

The notation here isn't too far off the way McKenna had it (closer that I could manage in any case).

http://thesession.org/tunes/12577

Here's a reel I just heard on a recording of the Donegal fiddle maestro John Doherty.

There are a few written versions here:  http://tunepal.org/tunepal/search_titles_new.php?q=last+night%27s+joy

As for the title - I think mine was finding half a packet of Kettle Chips and only being beaten 9:3 at Connect Four by my phone.

Here's an old, neglected Sligo jig.   There's a recording of Paddy Sweeney from Moylough in Sligo playing it on a fiddle in 1937: http://archive.org/details/PaddySweenyRogersJigVillageJig.  I like listening to recordings like that of tunes played at a quick pace and then hearing people who extol the virtues of Coleman, Sweeney, Killoran et al, giving off at people for playing too fast when they are playing much slower that their heroes every played.  I'm sorry if that was a very clumsily cobbled sentence - I'm not used to the heat - a bit of which has been visited upon us of late.  You'll be able to find the tune in squashed tadpole form at http://thesession.org/tunes/11483 and play it at whatever speed you like.

Here's a jig from the South West - mar atá Co. Clare.  I associate it with Willie Clancy.  I'm not sure whether its title refers to the direction the air flowed through his pipes while he played it.  I think my flute was more Mecca-wards when I was playing it on this occasion - that would just be a west wind - with slight precipitation towards the end of the tune. For disciples of the dot there's always http://tunepal.org/tunepal/show_tune.php?tunepalid=8445-75.abc-1-Southwest~Wind%2C~The.

Here's a Gan Ainm - one of a host of Gans Ainm in Breandán Breathnach's Ceol Rince na hÉireann 2.  At least the person BB got the tune from had an ainm - namely Michael Ryan, a flute player from Co. Sligo, so (that's 'so' the conjunction rather than the Sligo 'SO' that you may see on a numberplate in Ballymote) I'll call the tune after Mr. R.   Mr. B. gave the reel the rather appealing number 142 in his book.

Here's another Lad O'Beirne's reel.  I don't know much about it. The notes in dotty form can be found here: http://tunepal.org/tunepal/show_tune.php?tunepalid=1209-misc-tunes2_A-M.abc-30-Lad~O~Beirne~s~Reel~%28a%29~%28key~D%29~%25~misc%3CBB

Here's a close relative of the 'Lark in the Morning'.  This one has fewer parts - from my playing it sounds as though it may be missing a wing and part of its voice. http://tunepal.org/tunepal/show_tune.php?tunepalid=87-cces-tunes2.abc-20-Morning%7ELark

Here's a reel I was reminded of today by listening to a recording of Brendan McGlinchey, the great fiddle player from Armagh.  He plays it in C on the recording but I'm all at sea without a paddle in that key for this tune so I'll wear my hat with a 'D' on it for now.

Here's another effort on my Rudall and Lazarus flute.  The version of the tune here is decidedly dodgy.  I half learned it lots of moons ago before I ever heard a recording of it.  A more reliable version can be got here: http://tinyurl.com/auc5x3n .  I was reminded of the tune today about 10 minutes after the postman kindly delivered a copy of this lovely recording: http://claddaghrecords.com/WWW/catalog/product_info.php?products_id=3521 (the packaging was quite hard to open otherwise I'd have heard it a bit sooner).

Here's my latest attempt to play my old Rudall flute.  I've been using a combination of insulating tape, knives, scissors, super glue, our child's skin moisturiser and kettle steam as tools of resuscitation; maybe I should be trying them on the flute. http://tunepal.org/tunepal/show_tune.php?tunepalid=2708-25.abc-1-John~Dwyer~s

Here's a jig which comes from up Sligo.  Dots can be found up here: http://tunepal.org/tunepal/show_tune.php?tunepalid=2272-21.abc-1-Up~Sligo

Here's an old jig played on an old flute. This poor flute is falling apart, maybe due to modern nasties like central heating which weren't about when it was young.  It seems not to like being 'My Warmer Fife'.

Here's a tune I've played for years.  I never knew a name for it so I played it into the magic tunepal.org machine and that is where this title came out of.  My first part for the tune is a bit different from the versions on the computer but I suppose there's no harm in that.  It's worth taking note of the advice on the photo even if the tune is of no interest.

This also goes under the name of 'Lavan's Favorite' in 'Ryan's Mammoth Collection'.   I've tried to play it fairly close to the dotty version here: http://www.oldmusicproject.com/AA3Sheet/1201-1800/Sheet-1501-1600/1551-LarryChoice.gif (Larry Lavin's Choice). A combination of warm weather and a bit of recent, regular playing has allowed me to get through this tune on my boxwood flute without it falling apart (that's the flute I'm talking about - not so sure about poor Larry's reel).

Here's a fairly straightforward version of a popular reel in A.  I avoided any G sharps in the slow version lest I may sustain a cut finger.  There may be one or two (sharps and / or damaged digits) lurking around the quicker version.

Here's an approximation of O'Neill's version of a popular jig.  The dots can be found at: http://www.oldmusicproject.com/AA3Sheet/0701-1200/Sheet-0801-0900/0812-GirlsBanbridge.gif If you want to hear it played properly you could do worse than click on this link: http://archive.org/details/MichaelColemanGirlsofBainbridgeCherishtheLadies . The name  in Coleman's version is 'Bainbridge' - maybe a reference to characters in Beryl's very early work  (she'd have been 8 at the time).

Here's a different sort of tune by way of a change.  I've just played each part singly the first time round.  If I appear to be rushing a bit during the quicker version that's probably because I was being distracted by the smell of the 'Young's Chip Shop Fish Fillet in Crisp Bubbly Batter' which is in the process of being turned into my dinner in my oven.  I bet Carolan never had that problem.  If he did occasionally salivate over the notion of some 17th / 18th century convenience food it was probably not too much of an encumbrance on his harp playing anyway.

I hope the title of this reel refers to matters ornithological and meteorological and not medical. I was reminded of this tune today when I heard a recording of Sheila O'Dowd playing it (http://www.colemanirishmusic.com/shop/product.php?id=13 track 16).  It is in Breathnach's Ceol Rince na hÉireann vol. 1  and someone has kindly made the notes available at http://tunepal.org/tunepal/showdots.php?id=11667.  That's about all I have to say on the matter just now.

I've been trying to learn to play a C#D accordion and was reminded of this tune while playing through a few books as a way of telling my fingers that there's more than one melody in the world.  The box playing may be a sort of insurance against tooth loss which would make the flute sound a bit gummy; cleaning and flossing might be an easier approach. This tune is in the book 'Trip to Sligo' under the title 'Come up in the room I want you'.  I played it (on the flute) into the tunepal.org machine and was given the title I've used here.  The person in the 'up in the room' name may even have been addressing the Ballina Lasses at the time of utterance.  I don't know what Tunepal will think it's called if I try playing it on the squeezebox.

Here's a tune with a funny name.  I learned it from a flute player with a less peculiar appellation, i.e. Harry Bradley. I recorded this on a mobile phone mp3 recording app (and a flute) and the end result seems to include some 78rpm type crackles.  That may have been an option which I inadvertantly chose on the recording device.

Here's a tune called Peter Wyper's hornpipe.  It is named after one of the Brothers Wyper who is pictured above.   I had intended posting a smaller brace of Wypers but couldn't find the shrink button to resize the photo.  You could look at the photo on a smartphone screen to make it small but I think the text would go all exiguous at the same time.

Here's a tune which as was correctly pointed out to me, I had forgotten to post up to now. I've played it on a poor, old and sick Rudall flute. I had even taken a picture of the flute but it's been so long since I've posted a tune here that I've forgotten how to include a photo (or else this site has forgotten how to have photos posted on it). The flute can't remember how to play bottom Ds yet. I'll be leaving it into a flute hospital in Galway shortly - maybe a bit of hypnosis from beyond the Pale will remind it of this particular alphabetic bark.

Here's a tune I was asked a while ago to play. I've always been a bit allergic to this tune - I'm not sure why - I think something bad like the house falling down happened the last time I played it and that left a bit of an impression which didn't please me too much. It's a good tune all the same. I think it's really 2 jigs joined together. I'm away to stand outside for a while in case this house isn't up to the Knocknagow test.

I think this is also called The Collier's Jig.  There's a collier's reel too which has the same general selection if notes in it.  I'll post it on the site if it's not already here. I've been reminded a couple of times lately that some people are finding some use for some of the tunes on this site so I thought I'd try to add one or two more.  It remains to be seen whether they'll fall into the useful category or otherwise.  I have a couple of requested tunes still to post as well.  I'm just being delayed by not knowing them and almost never having a flute closer that about 20 feet away.  If I attended to the latter matter then my chance of sorting the former should increase accordingly.

Here's the one that goes with the other two (Paddy O'Brien tunes I posted a while ago).  I've just been reminded that I missed this one.  I hope late is better than never.

Here's a reel I've just been asked to play.  It was composed by Sean Ryan.  I found a couple of written versions on the web and this effort is sort of a cross between both and neither of them.  Sorry if some (or most) of the notes are a bit on the fuzzy side.  I found some ready salted crisps just before I found the notes for the tune.

I think there's also a jig with this name - or is that 'the milker that masticated the mattress' ?

Here's a tune I never knew the name of until the arrival of the magic tune finding machine http://tunepal.org/tunepal/index.php. I see that people now even have telephones with this facility on them.  If someone sneezes at a session these days there's likely to be an iphonophile who will be try to identify the sneeze as some polka or other.  Any extraneous noises in this recording have passed without being interpreted as anything other than normal noise - any other noises are supposed to be the tune.

Here's a tune I think I learned from a recording of Jackie Daly.  It is also in Breathnach's Ceol Rince na hÉireann (vol 2) where the version is the same but for one note in the second part (answsers on a postcard to ...)

Here's another Paddy O'Brien reel which goes with the previous one though usually before it and another one rather than after it and before another one which isn't the same 'another one' I referred to on another part of this sentence just before now - I hope that all makes sense. All these tunes and information about them and Paddy O'Brien are to be found in an excellent compilation which is available from this site:  http://www.paddyobrienbook.com/

Here's a reel composed by Paddy O'Brien.  It is often played after two others in a set.  I don't know the other ones either.

Here's a great reel for the flute.  I'm sure I stole it from somewhere but the scene of that particular theft is now out of reach of my memory.

I've been at around 3 sessions in as many months and this tune was played at 2 of them (albeit by the same person).  According to my statistical analysis this tune is therefore played at 66.66666% of all sessions. I'm afraid that the flute here sounds a bit like it has a cravat stuck up it somewhere; possibly with a maritime person attached.

Sorry for the lack of tunes in the last while.  I gave up playing for a while - as I sometimes do - and have only played the flute 4 times this year. The perenthesised '2' in the title here doesn't doesn't refer to the modesty of Jenny's shellflsh harvest target but just to the fact that there's already another tune with this name on the site.

Here's a new post after a very long gap.  I couldn't remember where I left the internet.  I was sent an mp3 file of someone playing this tune far better that it is played here.  I know that Séan Keane recorded it at some stage and hear it from time to time in sessions but I can't remember exactly how it goes.  I found a transcription in the bit of the internet referred to below.  I'm afraid I've lost / mis-ordered a few notes during the eye to mouth process but here's an approximation - hopefully enough to get a more accurate and diciplined person started learning the tune. http://www.thesession.org/tunes/display/2748

Here's a slip jig which is really the tune of a song.  I think I have a CD somewhere including a recording of Séamus Ennis singing the song but it has been hidden somewhere more obscure than the side of the sofa by a young child. I've had to rely on memory therefore for the way the tune goes. The title means something like "The fair haired Canavans".

I'm not sure I've ever seen a turnpike gate so I'm not sure what qualities one might have to get a reel named after it. Anyway, here's a tune called after such a gate.

Here's another request from long ago.  I don't think the tune's title refers to a domestic measuring tool.

I was asked back in August to play this tune.  I've at least managed it before October ended.  The flute hasn't forgiven me for spending a lot of the last hour playing a miniature version of itself (I think baby flutes have a special name but I'm always getting the 'cc's and 'll's confused in the spelling) and blowing into a big flute has proved difficcullt - (it's happenned again only worse). Anyway, thanks Mary for telling me about this tune on 2nd August, and I hope it sounds OK.

I was asked to record this tune so here it is, only a few days late.  I've always just known this tune from afar so if it sounds like I'm a bit unfamiliar with its finer points (like the notes and stuff like that) then that's probably just because I am. Like most of CL's tunes, it's a fine piece of music and might be strong enough to emerge intact from my mangling.

Here's a popular reel - so popular that it has taken me 3 years to think of it.

I've been laptopless for a while so have hadn't been able to post any tunes.   I now have a new laptop and it and an old flute have combined to record this not so new jig.  I'm not used to the recording level on the new computer so this post may only be audible to canine creatures.   Maybe they can be persuaded to bark a louder version out if necessary.

Here's a nice jig.  I can't type any more as I can hear a baby stirrng; a baby who cares little about this site and the words and notes thereon.

I've finally got around to looking at a couple of requests to record tunes.  This is the only one I've got around to playing though.  It's also the only torn jacket I've given any attention to although I seem to have several, the holes in which heavily outnumber the arms I can find to put through them.

Here's a tune I was asked to play.  It is named after the great Sligo fiddle player whose name escapes me just now.

This isn't really a flute tune.  It comes from the fiddle playing of Francie Byrne from Kilcar, Co. Donegal.

All I know about this tune is what I read about it in Ceol Rince na hÉireann vol 5.  It says there that the fiddler James McEnery composed it.  I hope I'm not decomposing it too much here.

The title of this tune (and song of the same name) translates as "The Seaweed of the Yellow Cliff". - a tune caught between a wrack and a hard place perhaps. There are a few versions of this tune but I could only think of this one just now.  I still have to think of the other tunes which are on my list to play here but my thought processes are running very slow these days.

Here's a tune I stole from a recording of Con Cassidy. I don't know much about it, except for what the notes are.  I suppose that's a start.

Here's a jig I heard on a recording of Michael Gorman.  It's called Guiry's favourite in O'Neill's. I was a bit distracted by an infant with a new set of noisy birthday presents but hopefully the tune recovers sufficiently frequently to make it possible to pick up.

I'm a bit behind on recording tunes at the moment.  I'm even behind with being behind with things.  I think that's what's behind the delays. Anyway.  I was asked for "The Lads of Laois", so here it is / they are, unleashed.  I think I was asked for a nice version.  I never really had a nice version so I had to record a nasty one. I listened back to the start of this recording through my computer's speakers and it sounded as if the tune was being played underwater on a trombone but maybe once it has been hung out on the web for a while it'll dry out a bit.  I'll record the other tunes on my list once I find the list.

I've just been asked to play this tune so here it is.  I'm not too sure how reliable this version is but it is maybe a bit closer to the version common in Ireland than the version on another website near you.  I think it mightn't originally be an Irish tune so maybe the funny version is the normal version where the funny version comes from and the normal version is maybe ... etc. This is also known as "The Cliff Hornpipe".  Whether that's the Cliff of "Summer Holiday" fame, I don't know.

I was asked a while ago to play this.  I think I've already played it under a different name but I'm happy enough to post it with this name and look like I know more tunes than I really do.  I can't remember what the other name I called it was so this is probably the one I'll use in future.

Here's one I wasn't asked to play.  I wasn't asked not to play it either so as it doesn't seem to be here already I thought I'd give it a go.  I think I was half the age I am now when I last played this tune and if I live to be twice the age I am now I'll either have too few teeth or too much sense to play it again. There's a touch of a farting in the bath sound about it.  Maybe it's more of a windpipe than a hornpipe.

Here a very long hornpipe which I've been asked to play.  I maybe played it a bit too fast the second time around but as it has so many parts I had to rush to finish it before the shops shut. (This version is vaguely like the one in Ceol Rince na hÉireann Vol. 3 - No. 208)

I had to look this one up in "The Book" when asked tp post it.  I found it in O'Neill's Dance Music of Ireland, 1001 Gems (No. 469).  I had just previously found "The Book" on the sideboard by the door into the kitchen.  There is some audible dissent in the background but O'Neill was from Bantry so I'd trust this version OK despite the critical opinion which is to the fore in parts of this recording.

I found a 'please play the battering ram' email so here's said man-ewe (not Man U which I believe is a soccer team). This rendition is more sheepish than extraordinary but most of the notes are there.

I was asked to record this tune so here it is. I don't know what key it should be in.  Here's a go at it in D minor and then A minor.  I heard something once about dropping a piano down a coal shaft and getting A flat minor.

There's a character in The Magic Roundabout called Mr. Rusty.  I fear that my Homme de Fer may have become a Fear Meirgeach himself.

Here's a Paddy O'Brien reel (I think). Instead of a jolly seven here I think I have a fairly happy seven and a mildly miffed number 8.  The overall recording quality is a bit dodgy here and the sound of the sean nós shouting infant in the background maybe doesn't help things too much (no infants were harmed in the making of this post).

I can't think of any quick tunes at the moment so here's a slow one.  I want to spell this "Cois Abhainn na Seod" but forces I don't understand take me to the spelling I used instead.  This is a song air which comes from Cúil Aodha in Co. Cork.  I probably have it all wrong but I never go to Cork so I should be safe from close quarter retribution at least.  (The title in English is "Beside the River of Gems /  Jewels - I know how to spell that anywaieieieiy).

I just got an email from a pigeon fancier, or at least someone who wanted me to post this tune.  So here's my pigeon-post, or maybe pigeon on the gatepost.  I'm surprised not to have recorded a pigeon on the gate to date, but better late than never at any rate.

Here's a reel which I think Paddy O'Brien (from Smallhillsville) composed. The hills may be small but they seemed to take an age to upload onto this site.  They must be the wrong shape for internet pipes.  I know little of hills and tend not to go anywhere more topographically elevated than upstairs in a not too tall house in a low down town.  I hope the tune's shape hasn't been too distorted, either by its journey to the web, or by its time spent in my mildly mangled music head.

I've finally got round to playing another tune.  I stole my wife's flute to play it as I can't remember where I left my own.  The fact that this recording sounds like it was made in a sewer is no reflection on the flute.  The recording wasn't made in a sewer; I'd never bring someone else's instrument into such an environment.  Now I come to think of it, the same flute was once found in a wheelie bin after a burglary.

Here's a tune I was asked to play.  Some people associate this time of year with Yule logs.  I appear just to have a backlog but this will hopefully have removed at least a sawtooth's fill from it. One reason I'm so slow about posting tunes these days is that I can't remember the names of any more of them.  I got this one by asking  Mr.Google about the name I was given.  He seems to call it 'The Girls of Farranfore'.